CAPETOWN (SOUTH
AFRICA )
The 11 hour flight in from Amsterdam is
running late anyway. There is a long
line at the car rental counter, and of course the usual dodgy “extra fees” and
disclaimers and attempts to pass the liability buck not mentioned when first
booking the vehicle online. Then the
vehicle itself. A six speed Hyundai,
steering wheel on the right side, shift stick on the left. Turn indicator toward my right hand. Windshield wiper on the left. And of course, you drive on the left. Just the opposite of The States.
I pull out of the parking garage at 1 AM , grinding the gears like a
broken down tank due to the reversed shift pattern. Reverse gear itself does not work. My very first turn is into oncoming
traffic. No way to back out (until
later, when I discover there is a small reverse button on the shifter which
must be maneuvered just-so to go backward).
A rapid U-turn is executed – and yes,
that is the correct use of the word – and I head out for the hotel. The navigation system is not intuitive, and
there are no directions. It has its own
sense of humor. It is called “try as you
might” and pray like hell.
When I am finally able to enter in an address, it does not
inform you that you must be specific as to district and neighborhood also. Following the prompts, I enter in a street
name and number and “Capetown.” After
going in huge loops multiple times and putting 77 kilometers on the
car before even getting out of sight of the airport, I unwittingly pull into a suspect
area with furtive youth excitedly pointing at the car. Nav system is double checked. I am in Khayelitsha, one of those refuges of
the underprivileged (called townships here) that virtually every guidebook
warns you about not entering alone or at night.
They are much like the favelas
(slum shanty towns) in Brazil .
The Hyundai idles in a dead end, overhead map light brazenly
announcing my presence. Inspired youth
begin to excitedly circle the car. I make
a lurching departure, not really caring about a destination. What a way to start your birthday …
After arriving two hours late at the hostel and already
having consumed one-sixth of a tank of gas, I wipe down the windshield. It is covered with spittle from all the times
a turn signal was intended but instead the rain wipers were actuated. Madeline and Tjaart, managers of the Surf
Shack Hostel, are gracious upon arrival.
“Welcome to South
Africa ,” they offer cheerfully at
nearly 3 AM . My first night’s sleep is very restless. The morning weather in the Blouberg beach
area district, however, is stunning.
Clear and 65 degrees Fahrenheit. Table Mountain , the
iconic mesa which is the backdrop for Capetown and one of the new “7 Natural
Wonders of The World,” beckons like a come-hither look from a beautiful
woman. No waiting. Time to dig into the sites.
An aerial tramway which ascends steeply to a shoulder of Table Mountain is
often shut down due to low visibility and high winds. I am blessed that my birthday is not to be
one of those days. The views are
distant, clear, and stunning. A
photographer’s dream. Mist rolls in from
the north, then peels back, as if not quite sure it wants to ruin this
spectacular outing for so many visitors.
Most have waited three days for a
clearing. A cafe at the top offers
unrestricted 180 degree peeks of the thrilling view below. I have a Peroni beer (Italian heritage must
be honored) and sample ostrich stew
for the first time in celebration of my birthday.
After descending from the peak, Cape Point becomes the new
objective. Along the way the beaches
previously observed from on high experience a close-up examination. Hyper busy
sidewalk and seafront cafes line the route. Really no different ambience wise than touring
the west coast of Italy , or
the south coast of France . There are very few swimmers however -- the
waters from the Atlantic are
much too cold. Spectacular carve-outs
among the granite bouldered cliffs allow traffic to drive out of surf’s reach
but still directly above the waves much of the way. The road is smooth, a bit narrow, but paved
and well marked throughout. No nav
system needed here.
One unique stop is at Simonstown. A colony of Cape Point “Jackass” Penguins
(so-named due to the braying sound they emit when excited) pulls traffic in
from the highway for what is almost a required pit stop. Shortly on down the road as one heads toward
Cape Point along the inside of “False Bay” (a huge crab shaped inland sea of
sorts with The Cape of Good Hope as its left pincher and Cape Agulhas as its
right) several signs warn of the presence of baboons in the area. I inquire as to their exact whereabouts. “Be careful what you wish for,” growled one
rather annoyed local, barely restraining a pit bull on a short leash as it
dragged him back to his car. “They are
very aggressive. Leave your car window
open even a bit and they’ll get everything inside. And I don’t mean just the food.” He then went on to explain Baboon wranglers
had to be hired to keep these adaptable critters away from the locals.
Cape Point – the actual tip of the broader geographic
feature of The Cape of Good Hope – is reached just before sunset. Rather anticlimactic, in some ways. The vista is excellent, but it is hard to
compare to that offered by the commanding view from Table Mountain . A somewhat melancholy retreat is made to
Blouberg for dinner at the nouveau
Caribbean Cubana Restaurant to hoist my favorite drink – a Brazilian caipirhina – and contemplate not only
the day’s highlights, but my birthday gratitude attendant with richly
experiencing another adventurous year.
Probably the most interesting part of the castle however,
was the locally renowned William Fehr collection – a series of historical
paintings and well-preserved period furniture which have special relevance to
the South Cape .
Included within this collection was a most
impressive wooden dining table for 100.
Each place setting is laden with sets of uniquely designed and colored
placeware (mostly ceramic), each from different artists, celebrating Capetown
as the Design Capital of The World for 2014.
A ground-level dungeon and torture chamber might have proven to be
equally interesting, but its instrumentation had long since been removed.
An increasingly popular District 6 Museum celebrates what used to be a place, and now represents
an idea. The idea of “Never, never again
…” and the memory of a thriving
multi-racial community, deliberately eradicated under the racially divisive
apartheid Group Areas Act of 1950. Starting
in 1966, one of the world’s foremost examples of urban repression saw the
forcible removal of 66,000 people over approximately 20 years to create a
whites only area. Homes, churches,
schools, hotels, cinemas, and businesses were systematically demolished in a
make believe show of “urban renewal.”
Ironically, whites never moved into the area. Today, repatriation claims are being worked
out, former residents are slowly moving back and both government and individual
families are attempting to rebuild District 6.
Its modest two-story frame tells a chilling story of painful
loss and the hope of return in hundreds of
personal bios displayed in narrative form on the museum walls. A story that was nearly as devastating as the
Nazi extermination of the Jewish Quarters in Warsaw and other cities during
World War II, lacking only the death camps as a final solution.
I recall one gentleman remembering the difficulty of
relocating his 49 pigeons. When his
building was demolished and he was forced to move, the birds were kept indoors
at his newly assigned (and diminished) home in fear they would not yet adapt to
their changed locale in the Cape Flats to the
backside of Table Mountain . He finally released them months later. When he returned home that evening, not a
single bird had returned. He checked the
razed and now unmarked streets of
District 6, trying to find his former address.
With some difficulty, the spot was located. As he suspected, all 49 birds were huddled
there. “They looked at me,” he said, “as
if to say: We’re home! Why aren’t you?”
Another spoke of being evicted from District 6 and torn
apart from his wife, almost like slaves at market in the American South 100
years previously. He was black. His wife was colored (black mixture, not a native
or purely racial black woman). They were
assigned to different townships. Each
had to carry a set of hated ID papers that served also as a transit pass (the
“dompas”). Despite being married, his
pass only allowed a visit with his wife but every three months, and at that for
only two hours at a time.
One quote from a female survivor of the forced exodus named
Deborah Hart sums up the tragic episode nicely: “Whereas some of the economic
and social costs of the razing of District 6 may be ascertained, its toll upon
individual lives and emotions is immeasurable … oral evidence, literary
accounts, and almost two decades of news reporting unite in their testimony to
the fear, humiliation, bitterness, and anger that accompanied the displacement. Not least among the consequences was
fragmentation of the identity and heritage of a particular community which had
profound implications for its social, political, and cultural expression.”
When asked later what I most noticed most about the NEW South
Africa , after the prison release of
Nelson Mandela, the end of Apartheid and the Group Areas Act and the
establishment in 1994 of a new constitution offering “one man, one vote,” this
quote came back to me. I thought about the
question for awhile. Then answered: “The absence of fear.” I notice most blacks finally able to be
at ease in their own country, not having to show a pass or constantly be
looking over their shoulder.
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